With the upcom­ing sil­ver screen release of The Great Gatsby, Art Deco inspired designs from that era are tak­ing the design world by storm. This trend can most cer­tainly be seen in the world of wed­dings mak­ing it ripe for a styled shoot. Cue the tal­ents of Carla Ten Eyck, The White Dress by the shore, Jubilee Events, Hana Flo­ral Design, d.d.Nickel Makeup Stu­dio, Jen­nie Kay, Ana Parzych Cakes, New Eng­land Coun­try Rentals, and Jeremy White. Together the team crafted an opu­lent, enchant­ing shoot that evoked the feel of The Great Gatsby novel by F. Scott Fitzger­ald. The scene was set at the his­toric Bran­ford House Man­sion with its stun­ning mélange  of orna­men­ta­tion. (The story of the Bran­ford House is quite fas­ci­nat­ing. For you archi­tec­ture + his­tory buffs, you can read more here.) A big thank you to Style Me Pretty for fea­tur­ing the edi­to­r­ial in all its prettiness!

The paper story was heav­ily influ­enced by the geo­met­ric shapes preva­lent from the Deco era. I strive to include ele­ments of dis­cov­ery and cheeky lan­guage into all of my designs and this suite was no excep­tion. The matchbook-style recep­tion card was a nod to the rise in smok­ing dur­ing that time period and also became another piece for guests to open and dis­cover. The favors dou­bled as place cards. Inside the gold boxes were acrylic dia­monds filled with choco­late can­dies and adorned with a tag read­ing “You’re a gem! We trea­sure your pres­ence.” For a new twist on the ever-popular flagged cock­tail straws, I designed tags that spi­raled around the straw – play­ful and sexy! The tags read “Gig­gle Water”, 1920’s slang for an intox­i­cat­ing bev­er­age. I adore slang BTW, and the 1920’s coined so many fun phrases. There is a great list of words here that I find to be highly enter­tain­ing. Okay, enough with beat­ing one’s gums, let’s get a wig­gle on with the eye candy:

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Want more? Check out the video below by Jeremy White and Steve DePino.

 

Pho­tog­ra­phy: Carla Ten Eyck  and Anna Briggs // Event Design/Coordination: Jubilee Events // Fash­ion Styling: The White Dress by the shore // Flo­ral Design: Hana Flo­ral Design // Paper Styl­ist: Coral Pheas­ant Sta­tionery // Cake & Con­fec­tions: Ana Parzych Cakes, // Makeup: d.d.Nickel Makeup Stu­dio  // Hair: Jen­nie Kay // Rentals: New Eng­land Coun­try Rentals // Video: Jeremy White

 

 

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April and Matt were mar­ried at the Glen Manor House late last sum­mer. The vision for their day was inspired by 1920’s French gar­den par­ties and the delight­ful French movie Amelie. It was also impor­tant to April that sus­tain­able mate­ri­als be used. With this inspi­ra­tion in hand we devel­oped a play­ful suite with free-flowing text type­set in a quirky cal­lig­ra­phy font. Bits of French were brought into the design on the RSVP and the quote that graces the inside of the kraft mailer. I love when I’m given the oppor­tu­nity to have fun with the RSVP enve­lope and can inte­grate the stamp in a dynamic way. In this instance, the stamp was framed in flour­ishes the com­pli­mented the font. To ensure the enve­lope would travel suc­cess­fully through the mail, we did a test mail­ing before hav­ing the envelopes printed. The cards were tucked inside the kraft mailer cre­at­ing a unique pack­age for guests to open and expe­ri­ence. The mailer was sealed with a strip of wash tape and addressed with the beau­ti­ful cal­lig­ra­phy of Brown Linen Designs.

The main invi­ta­tion was let­ter­press printed on double-thick 220# ecru Crane’s Let­tra while all the enclo­sures were let­ter­press printed on 110# Let­tra. Let­tra is a 100% cot­ton sheet is made from cot­ton fibers gleaned from the cot­ton seeds, after hav­ing been cleaned for gar­ment pro­duc­tion and before being processed for cot­ton seed oil. This made it a per­fect choice to honor April’s request of using sus­tain­able mate­ri­als. The kraft mailer was made from 100% post con­sumer waste and all the inks were soy based. The cherry on top? My printer has a strict recy­cling and con­ser­va­tion pro­gram and uses bicy­cle mes­sen­gers for the major­ity of their local deliv­er­ies. All the bases were covered!

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Inspired by the moody, mys­ti­cal feel of Fort Adams’ arched brick ceil­ings and gran­ite walls, the team at Bliss Cel­e­bra­tions Mag­a­zine devel­oped an edi­to­r­ial shoot around an imag­ined 30th birth­day din­ner for “Carter”. The con­cept was to cre­ate a refined cel­e­bra­tion that marked this mile­stone birth­day with a mod­ern meets Gothic sen­si­bil­ity lay­ered with lux­u­ri­ous touches. The warm glow of the can­dles bathed the brick walls in amber tones while cor­ru­gated metal con­tain­ers held a vari­ety of bego­nias, suc­cu­lents and moss. Mixed metal place set­tings added sophis­ti­ca­tion to the table scape. The cus­tom table run­ners by Rentals Unlim­ited are one of my favorite details. Their tai­lored con­struc­tion, parted slightly to reveal a mod­ern lace fab­ric is bril­liant. Add antlers to the mix and this is a party I want to have for myself!

For the sta­tionery suite, I kept the palette pre­dom­i­nately white with bits of grey. I was really drawn to the quirky “archi­tec­tural” slab serif font. The strong lines of the type­face par­al­leled the strong lines of the arched case­mates at Fort Adams. Fun facts about the year the birth­day boy was born were used to cre­ate trivia cards and coor­di­nat­ing coast­ers car­ried the paper story to the bour­bon bar. To see the full edi­to­r­ial spread, check out the lat­est edi­tion of Bliss Cel­e­bra­tions magazine.

Venue: Fort Adams // Pho­tog­ra­phy:  Snap! Wed­dings  // Styling: Clau­dia Seyf­fert // Flo­ral Design: Stoneblos­som Flo­ral and Event Design // Paper Styl­ist: Coral Pheas­ant Sta­tionery // Cake & Con­fec­tions: Con­fec­tionery Designs // Light­ing and Bar: Ormonde Pro­duc­tions // Rentals and Cus­tom Linens: Rentals Unlim­ited/